Cosmogram

In mapping my Blue Line, the trace evokes the blade of my kayak paddle. It might have logically originated at my birthplace in Utah, but I have no memory of the Honeybee State. We moved to Colorado just weeks after my birth, and Pueblo is the site of many of my most resonant childhood memories.

I have fond recollections of playing the video game The Oregon Trail at Belmont Elementary School. It never occurred to me then that Oregon might one day become my home, my equivalent to Dr. Ulmer's Xanadu. The game featured an image of settlers braving the Columbia River's rough waters, and it stuck with me through the years. As I forged my own identity, at least partially through fishing the Columbia's strong currents, it occurs to me now that the oar was a symbol for steerage. 


Taken informally, steerage might be viewed as the product of steering—of using the kayak blade (or the oar in the image above) to guide a watercraft through dangerous waters. Taken formally, however, steerage is the literal belly of the boat—the most uncomfortable place in which to travel. Steerage was hot. It was dangerous. It was no way to travel. As much as Oregon remains my ideal of what it means to be "home," I had to move to Florida to elevate my career discourse out of a place of steerage. In Oregon, I worked from one teaching contract to the next, never fully certain of the next semester's work. I was an adjunct and, although the lights stayed on and there was always food on the table, I felt stuck below deck.


When one stands on the banks of the Columbia, near Hood River or Cascade Locks, for instance, the landscape is filled with stately pine trees. It wasn't until we put the oar in the water and headed east—into a world characterized by palm trees—that we were able to free ourselves from steerage.